They received on-set plates and LiDAR scans from the production, which provided a rough idea of the size and growth of the trees surrounding the two main characters. Image Engine artists built the full forest in CG. Lost In Space required the studio to once again bring these skills to the fore, building an alien forest that scaled from individual detail to an overall sense of depth and atmosphere. With experience on shows like Jurassic World, Image Engine is no stranger to interactive digital forestry. One of the team’s first jobs was to simulate a beautiful forest. We were able to be really creatively flexible, which is a dream brief on a show like Lost In Space.” “The client was really open to taking feedback and guidance based on our expertise in sci-fi concepts. “It involved a lot of concept art, a lot of shot development, and a lot of fun,” says Sita. Among other augmentations the studio was responsible for enhancing a lush woodland, creating a raging wildfire, directing a colossal crash, and, of course, building some extraordinary robots.įor VFX Supervisor Joao Sita, the opportunity to refresh the retro sci-fi feel of the original Lost In Space was a dream come true. Image Engine’s visual effects take centre stage for 266 shots across five stunning episodes. Things go from bad to worse as the Robinsons become entangled in a death-defying race against time, hopping from one hazardous extraterrestrial environment to another – environments that Image Engine had to create. When the Robinsons’ spaceship, Jupiter 2, veers off course towards an unknown planet, the family finds they must battle the elements to survive. A twist on the time-honoured tale The Swiss Family Robinson, this modern-day update again follows a family of pioneering space colonists tasked with exploring the cosmos in 2046. Lost In Space is Netflix’s slick, 4K reboot of the classic 1960s TV show.
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